Sweet, hypnotic body horror

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So I finally got around to reading the classic SF/horror story Shambleau; and y'all, this story is so hot that it's making me go all Southern all you. C.L. Moore gets it. She gets the attraction of submitting to an evil mind controller better than any other mainstream author I know of, and she knows how to make you feel it down to your...ahem...roots:

[T]through all that was Smith the dreadful pleasure ran. And it was truly dreadful. Dimly he knew it, even as his body answered to the root-deep ecstasy, a foul and dreadful wooing from which his very soul shuddered away—and yet in the innermost depths of that soul some grinning traitor shivered with delight.


You know that grinning traitor, don't you? It lives in me, and I'll bet it lives in you too - and in C. L. Moore herself. trilby else has read all of Moore's "Jirel of Joiry" novels, and he says there's MC in some of them, too. Considering how well Moore writes, I'll have to look up those "Jirel of Joiry" stories myself soon.

But about this story, "Shambleau." It contains so many, many squirmy-hot scenes that part of me wants to just quote the whole middle section right here. Unfortunately, that would deprive you of the pleasure of discovering more hot scenes than the one I'm quoting here. But ohh, how you're going to love the description of the protagonist's late-stage enslavement! You'll have to read that here, though, along with the rest of the story. In this blog entry, I'm just going to give you  an introduction to the story and then quote the centerpiece scene (The ellipses came from C.L. Moore; I'm not leaving anything out).

First, the introduction. This is one of those space westerns that were popular before we learned what the surface of Mars and Venus were really like. Our hero is Northwest Smith, but you might as well just picture him as Han Solo circa A New Hope. They're a close enough match, and you'll have more fun imagining Han in these situations than you will if you just think of a random smuggler. At the beginning of the story, Smith/Han saves an alien girl from a mob who want to kill her. They keep chanting "Shambleau," but Smith/Han doesn't know what that means, and he takes her in. The girl has velvety brown skin; a tattered, scarlet leather garment (mmm!); emerald eyes with catlike pupils; and a tight-fitting turban. Naturally our hero is attracted to her, and once they're alone in his rented room he tries to kiss her; but some instinctual fear makes him push her back at the last second.That night he dreams about being paralyzed while something slimy but wonderful caresses his neck. He forgets it the next day.

Then, the next night, this happens:

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    From deeps of sound sleep he awoke much later. He awoke suddenly and completely, and with that inner excitement that presages something momentous. He awoke to brilliant moonlight, turning the room so bright that he could see the scarlet of the girl's rags as she sat up on her pallet. She was awake, she was sitting with her shoulder half turned to him and her head bent, and some warning instinct crawled coldly up his spine as he watched what she was doing. And yet it was a very ordinary thing for a girl to do—any girl, anywhere. She was unbinding her turban . . .
    He watched, not breathing, a presentiment of something horrible stirring in his brain, inexplicably . . . The red folds loosened, and—he knew then that he had not dreamed—again a scarlet lock swung down against her cheek . . . a hair, was it? a lock of hair? . . . thick as a thick worm it fell, plumply, against that smooth cheek . . . more scarlet than blood and thick as a crawling worm . . . and like a worm it crawled.
    Smith rose on an elbow, not realizing the motion, and fixed an unwinking stare, with a sort of sick, fascinated incredulity, on that—that lock of hair. He had not dreamed. Until now he had taken it for granted that it was the segir which had made it seem to move on that evening before. But now . . . it was lengthening, stretching, moving of itself. It must be hair, but it crawled; with a sickening life of its own it squirmed down against her cheek, caressingly, revoltingly, impossibly . . . Wet, it was, and round and thick and shining . . .
    She unfastened the last fold and whipped the turban off. From what he saw then Smith would have turned his eyes away—and he had looked on dreadful things before, without flinching—but he could not stir. He could only lie there on elbow staring at the mass of scarlet, squirming—worms, hairs, what?—that writhed over her head in a dreadful mockery of ringlets. And it was lengthening, falling, somehow growing before his eyes, down over her shoulders in a spilling cascade, a mass that even at the beginning could never have been hidden under the skull-tight turban she had worn. He was beyond wondering, but he realized that. And still it squirmed and lengthened and fell, and she shook it out in a horrible travesty of a woman shaking out her unbound hair—until the unspeakable tangle of it—twisting, writhing, obscenely scarlet—hung to her waist and beyond, and still lengthened, an endless mass of crawling horror that until now, somehow, impossibly, had been hidden under the tight-bound turban. It was like a nest of blind, restless red worms . . . it was—it was like naked entrails endowed with an unnatural aliveness, terrible beyond words.
    Smith lay in the shadows, frozen without and within in a sick numbness that came of utter shock and revulsion.
    She shook out the obscene, unspeakable tangle over her shoulders, and somehow he knew that she was going to turn in a moment and that he must meet her eyes. The thought of that meeting stopped his heart with dread, more awfully than anything else in this nightmare horror; for nightmare it must be, surely. But he knew without trying that he could not wrench his eyes away—the sickened fascination of that sight held him motionless, and somehow there was a certain beauty . . .
Her head was turning. The crawling awfulness rippled and squirmed at the motion, writhing thick and wet and shining over the soft brown shoulders about which they fell now in obscene cascades that all but hid her body. Her head was turning. Smith lay numb. And very slowly he saw the round of her cheek foreshorten and her profile come into view, all the scarlet horrors twisting ominously, and the profile shortened in turn and her full face came slowly round toward the bed—moonlight shining brilliantly as day on the pretty girl-face, demure and sweet, framed in tangled obscenity that crawled . . .
    The green eyes met his. He felt a perceptible shock, and a shudder rippled down his paralyzed spine, leaving an icy numbness in its wake. He felt the goose-flesh rising. But that numbness and cold horror he scarcely realized, for the green eyes were locked with his in a long, long look that somehow presaged nameless things—not altogether unpleasant things—the voiceless voice of her mind assailing him with little murmurous promises . . .
    For a moment he went down into a blind abyss of submission; and then somehow the very sight of that obscenity in eyes that did not then realize they saw it, was dreadful enough to draw him out of the seductive darkness . . . the sight of her crawling and alive with unnamable horror.
    She rose, and down about her in a cascade fell the squirming scarlet of—of what grew upon her head. It fell in a long, alive cloak to her bare feet on the floor, hiding her in a wave of dreadful, wet, writhing life. She put up her hands and like a swimmer she parted the waterfall of it, tossing the masses back over her shoulders to reveal her own brown body, sweetly curved. She smiled exquisitely, and in starting waves back from her forehead and down about her in a hideous background writhed the snaky wetness of her living tresses. And Smith knew that he looked upon Medusa.
    The knowledge of that—the realization of vast backgrounds reaching into misted history—shook him out of his frozen horror for a moment, and in that moment he met her eyes again, smiling, green as glass in the moonlight, half hooded under drooping lids. Through the twisting scarlet she held out her arms. And there was something soul-shakingly desirable about her, so that all the blood surged to his head suddenly and he stumbled to his feet like a sleeper in a dream as she swayed toward him, infinitely graceful, infinitely sweet in her cloak of living horror.
    And somehow there was beauty in it, the wet scarlet writhings with moonlight sliding and shining along the thick, worm-round tresses and losing itself in the masses only to glint again and move silvery along writhing tendrils—an awful, shuddering beauty more dreadful than any ugliness could be.
    But all this, again, he but half realized, for the insidious murmur was coiling again through his brain, promising, caressing, alluring, sweeter than honey; and the green eyes that held his were clear and burning like the depths of a jewel, and behind the pulsing slits of darkness he was staring into a greater dark that held all things . . . He had known—dimly he had known when he first gazed into those flat animal shallows that behind them lay this—all beauty and terror, all horror and delight, in the infinite darkness upon which her eyes opened like windows, paned with emerald glass.
    Her lips moved, and in a murmur that blended indistinguishably with the silence and the sway of her body and the dreadful sway of her—her hair—she whispered—very softly, very passionately, "I shall—speak to you now—in my own tongue—oh, beloved!"
    And in her living cloak she swayed to him, the murmur swelling seductive and caressing in his innermost brain—promising, compelling, sweeter than sweet. His flesh crawled to the horror of her, but it was a perverted revulsion that clasped what it loathed. His arms slid round her under the sliding cloak, wet, wet and warm and hideously alive—and the sweet velvet body was clinging to his, her arms locked about his neck—and with a whisper and a rush the unspeakable horror closed about them both.
    In nightmares until he died he remembered that moment when the living tresses of Shambleau first folded him in their embrace. A nauseous, smothering odor as the wetness shut around him—thick, pulsing worms clasping every inch of his body, sliding, writhing, their wetness and warmth striking through his garments as if he stood naked to their embrace.

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    All this in a graven instant—and after that a tangled flash of conflicting sensation before oblivion closed over him for he remembered the dream—and knew it for nightmare reality now, and the sliding, gently moving caresses of those wet, warm worms upon his flesh was an ecstasy above words—that deeper ecstasy that strikes beyond the body and beyond the mind and tickles the very roots of soul with unnatural delight. So he stood, rigid as marble, as helplessly stony as any of Medusa's victims in ancient legends were, while the terrible pleasure of Shambleau thrilled and shuddered through every fiber of him; through every atom of his body and the intangible atoms of what men call the soul, through all that was Smith the dreadful pleasure ran. And it was truly dreadful. Dimly he knew it, even as his body answered to the root-deep ecstasy, a foul and dreadful wooing from which his very soul shuddered away—and yet in the innermost depths of that soul some grinning traitor shivered with delight. But deeply, behind all this, he knew horror and revulsion and despair beyond telling, while the intimate caresses crawled obscenely in the secret places of his soul—knew that the soul should not be handled—and shook with the perilous pleasure through it all.
    And this conflict and knowledge, this mingling of rapture and revulsion all took place in the flashing of a moment while the scarlet worms coiled and crawled upon him, sending deep, obscene tremors of that infinite pleasure into every atom that made up Smith. And he could not stir in that slimy, ecstatic embrace—and a weakness was flooding that grew deeper after each succeeding wave of intense delight, and the traitor in his soul strengthened and drowned out the revulsion—and something within him ceased to struggle as he sank wholly into a blazing darkness that was oblivion to all else but that devouring rapture . . .