Saturday, December 27, 2014

Just a little giggle

I'm not sure if anyone is even home surfing the net this weekend, so I wasn't even going to post anything until I found this. Enjoy.


Sunday, December 21, 2014

Siren Songs

by Julie Dillon
This post was sparked by the image at right, "Space Sirens," by Julie Dillon. First I was intrigued by the picture, and then I was even more intrigued when I read the description the artist gave for it. There's just one single thing holding it back from making great EMC. See if you can guess what it is:

The last remaining astronaut watched helplessly as his comrades left the ship one by one and were carried away deeper into the nebula. He told himself that he would not succumb the way his shipmates had; he knew he would struggle. But the creatures, if they could even be called that, somehow seemed to know him, and when his turn came and the singing of the cosmos reached a crescendo in his ears, his mind emptied of all but the desire to join them in the void. Gazing into the creature’s face, he mused on how tender, how gentle its embrace seemed, and even as his oxygen supply dwindled he did not resist.

by EuchridEucrow
Right: the victims die (well, probably). My first thought, on deciding to blog about Sirens, was how annoying it was that they typically killed their victims. Annoying, and also pretty irrational. What do the Sirens get out of that, besides some evil cackling? On the other hand, lots of mermaid/siren pictures show the creatures dragging studly young sailors underwater with the implication that what the mermaids really hoped for was hot sex...or maybe even hot sex slaves. So why not hot MC'ed sex slaves?

Well, even as I pondered that idea, I stumbled across the picture at left ("Kiss of Life," by EuchridEucrow), which shows a mermaid reviving the victim she's just caught. Yes, she's saved his life, but I really doubt she plans to let him go. And I also doubt he really wants to go by now. After all, her kiss almost has to be drugged, right?

by cg_warrior
Then there's the picture at right, by cg_warrior. To me, it's the most intriguing of the first three because of the victim's eyes. I really don't think that's the glaze of death. I think it's the glaze of enchantment. The mermaids have this man in their clutches in more ways than one, and he's deeply enough enthralled that he's enjoying it. Why else would his arm be drifting to embrace his captor's tail? Also be sure to notice that he's adopting the mermaids' pallor, but he's not white all over yet. That means he's still falling, deeper and deeper, into their clutches. I wonder how it'll feel when he succumbs completely. It has to be mindless ecstasy, right? It just does.

Oh, and for the record, cg_warrior's gallery has a lot of this kind of stuff: creatures who may be innocent or malevolent and people who may be dead or just enspelled. I love it.

by Herbert James Draper
Now here's one more note, maybe the best of all. When I first asked myself what Sirens could get out of killing their prey (well, besides vicious pleasure), I immediately thought of Odysseus. When you get right down to it, isn't it pretty suggestive that he had his men tie him up before they reached the Sirens? It's like he was saying, "Look, ladies! Here's your next slave, already bound and waiting!"

And if you remember your mythology, you know that Odysseus stopped his sailors' ears with wax so they wouldn't hear the Sirens' song and could keep steering while he had all the fun. But come on, look at this picture! Not only have the mermaids come out in force, but they're actually climbing aboard the ship. If just one of them manages to unstop even one ear of one sailor, he'll be totally in her power. Then he'll turn on his mates and Odysseus and help the Sirens enslave them all. Can't you just picture it (Hmm, and hey, couldn't I just write it?)

Clearly, the version of The Odyssey that many of us read in high school was a just cover story. The truth is out there - and it's wallowing in brainwashed bliss.

credits for the final three pictures, left to right: Fred Appleyard, Edward Burne-Jones, and Frederic Leighton

Sunday, December 14, 2014

An indie film with some great mind control

A good while ago (too long ago for me to remember when or who told me about it) one of my blog commenters told me the film Upstream Color had some great MC scenes. It's taken me until now to rent it, but it was definitely worth the wait. I'd say that even if I wasn't an MC fetishist, because it's a great story, period; and I like it even better after letting it percolate in my brain for a day.

Here's a synopsis that's moderately spoilerish, because I know which parts of the story will interest my readers; and those parts just are spoilerish. But don't worry; I won't reveal the ending.

There's an organism, maybe alien but probably natural, that has a multi-stage life cycle. In one stage it infests a grub, and a person who ingests the grub goes into a trance in which s/he can be manipulated by another person. The grub grows into a worm, still inside the victim, but there's a character known only as the Sampler (more on him in a minute) who's learned how to extract the worm and implant it in an animal. When the animal dies, its decaying body produces the blue powdery material that infests the grubs.

So far it sounds like the kind of squicky story you'd expect to find on the EMCSA, right? But here's where the movie takes that squick. As the film begins, our heroine Kris is kidnapped and implanted with a grub. That in itself is a great scene as a stranger Tases her, drags her out into a rainy alley, and forces her to swallow the grub. She gets up choking and tries to run away, but then the trance takes hold and she slows down and begins to turn back toward the Thief (the only name he's given in the credits). He makes her take him home and spends several days with her, making her empty her bank accounts for him. You'll find all kinds of great MC in this part of the film, with Kris wandering around blank-eyed or focusing with childlike concentration on childlike tasks or reciting conversations from memory in a staccato monotone.

Then the Thief abandons her and the Sampler takes over. This second man gets his name from his audio samplings that, for whatever reason, exert an influence over the grub-infected. He summons Kris to him, extracts the now-good-sized worm, and implants it in a pig. And that's where the real story begins. The Sampler is a pig farmer, and each of his pigs carries a worm he extracted from someone. The worm creates a psychic link between the pig and the human ex-host, and the Sampler can spy on those people and continue to influence them with the music he makes from his audio samples.

When Kris comes around, she doesn't remember anything that happened and believes (apparently due to a hypnotic suggestion from the Thief) that she had the flu. Then she meets Jeff, another victim who was left with a much worse suggestion: that he lost his wife and his money because he was a junkie. Kris and Jeff begin a relationship even as "their" pigs do the same; and for reasons I won't specify, they gradually realize what's happened to them.

Now here's the weirdest part of all. I could have sworn I read a spoiler for this film a long time ago; so I spent the whole movie expecting certain things to happen which didn't happen, and certain things not to happen which did. Again, I won't spoil the real ending, but here's how I thought it was going to turn out. If I'd been right, the movie would have been even hotter from an MC standpoint.

I believed the Thief was a grub victim himself, and that he was now compelled to infect more people, thus spreading the Sampler's control. I didn't know why he stole all Kris' money, but I figured it had something to do with the Sampler's plans for world domination. His experiments with noise/music, and their effects on Kris and Jeff, made me think he was seeking ways to control his victims' every waking moment. He was a criminal mastermind biding his time on a pig farm until he was ready to take over the planet. I thought Kris and Jeff would finally confront him only to find they were still helpless in the parasites' grip; they'd had no choice but to go forth like the Thief and make more converts. I could totally write that up as an EMC tale if Shane Carruth didn't hold copyright. Good thing he's a master storyteller, or I'd be seriously put out with him.

Below is the trailer, which includes a good slice of Kris' trance experience (interspersed with other things, of course) beginning at 2:09. Enjoy, and if you see/have seen the movie, let me know what you think.




Saturday, December 6, 2014

Having some (Studio Black) fun

One advantage of my latex/total enclosure fetish is that Facebook doesn't block any pictures related to it. And Facebook is where I discovered the multi-pronged entity known as Fetish Chimera, Studio Black Fun, Nikitzo, Madame Gillette, Kylie Marilyn, and Lady Ashley. All of them are involved in the images you see here, and since I've left all the names and URLs attached, I won't bother making actual links. You can find the sites and the original versions of pics easily enough on your own if you're so inclined.

The pictures in this set are called "Coma Play," which makes sense in English, but which I suspect makes slightly different sense in German.  Maybe one of my readers can help me understand what the participants in this set mean by "coma." "Drugged," maybe?

Anyway, the reason I'm posting these pictures here is because they fit so well with the fantasy I use in one of my Virtual Hypnotist sessions. It's one where I imagine myself captured and drugged and brainwashed into a white-eyed, latex-bound drone. I've shared some of the text here before, and I've shared more of it in a story I posted on the EMCSA but later took down (Don't worry; I'll make an ebook out of it eventually). Well, it occurred to me recently that I could use a little photomanipulation to make the pictures fit my fantasy even better, and that I could then pair them with a couple of snippets from my VH session and post the results here for your viewing pleasure. So here you go. Imagine Madame Gillette speaking the words below, to her increasingly brainwashed slave.



So very deep now, thrall So very, very, deep. So deep you can't even hear yourself think. But you can hear yourself chanting the programming I gave you during previous trances. And you can hear my voice, echoing in your empty head. One way or another, I'm doing all the thinking for you. That feels so very nice, doesn't it? And it's so very easy. It's become so hard for you to think. And my voice is right there in the center of your mind. Just let it do all the heavy lifting for a little while as you relax. Just for a little while.

My words are in the center of your mind, thinking for you now. And everything around them is delightfully, deliciously empty. Your mind is a blank, and I can do whatever I want with it.

Imagine yourself now, sagging so limply in your chair. Eyes closed, mouth open. Physically plugged into a machine that is brainwashing you, and helpless to resist it. The plugs from the brainwashing machine are so delicate. All you'd have to do, to disconnect them, would be to reach up and tug, just a little. It would be so easy. If only you had the will to do it.

And once upon a time, you did have the will to resist me. You fought against me so long, so hard. But in the end, you couldn't resist. You betrayed yourself. You gave in. You submitted. Now I have enslaved you. And made you love it.

 Now you can imagine, that your eyes have drifted-open again, but that they are now completely white. Featureless. Blank. Just like your mind. You can imagine that the only reason you can't see out of your empty white eyes is that I don't allow you to see out of them. If I commanded you to see now, you would. You would see exactly what I wanted you to see, no more, no less. I control you completely now.  You have become my mindless, helpless, obedient drone. My pawn. My puppet. My slave.

*****

Remember, you fought for your freedom at first. I strapped you down and forced you to watch this program. I forced you to listen to my commands. You can remember so clearly how you fought me. You can remember your resistance weakening under the onslaught of my brainwashing machine.  In the end you were helpless. And finally, despite yourself,  you began to love what I was doing to you.

Now you revel in slavery. You want to be brainwashed. You love it, because I have made you love it.