Showing posts with label Luis Royo. Show all posts
Showing posts with label Luis Royo. Show all posts

Saturday, May 10, 2014

More out-of-context follies with Clark Ashton Smith

Luis Royo, Dead Moon
I'm still enjoying my rediscovery of a favorite author from my teen years, Clark Ashton Smith. He was a contemporary and friend of Lovecraft and wrote similar kinds of stories (Sometimes I imagine their friendship might have been a little like mine with Tabico and trilby else). As I've said before, all CAS's stories are available in full, for free, on The Eldritch Dark. The one I want to quote from today is Necromancy in Naat.

Well, the title kind of gives away the real context, doesn't it? But CAS writes this scene in such a way that it's almost laughably easy to imagine the sorcerers' thralls are alive and just mind controlled. Let me prove it to you. I'm not going to change a single word in the original text of this passage; I'll just trim a few words here and there. Read the setup below, and then, as you read the text, imagine the hero has fallen into the grip of a trio of mind controllers who've half ensorcelled him (which they have) and fully ensorcelled his lover.

The hero of the story, Yadar, has set off to rescue his beloved, who has been kidnapped and taken across the ocean. He's in another galley which gets caught in a current called the Black River and then wrecked just off the coast of Naat. A woman swims out to Yadar and rescues him. Then this happens.


Uttering no word, nor turning to look at Yadar, the woman rose to her feet; and, beckoning him to follow, she moved away in the deathly blue dusk that had fallen upon Naat. Yadar, arising and following the woman, heard a strange and eery chanting of voices above the sea's tumult, and saw a fire that burned weirdly, with the colors of driftwood, at some distance before him in the dusk. Straightly, toward the fire and the voices, the woman walked. And Yadar, with eyes grown used to that doubtful twilight, saw that the fire blazed in the mouth of a low-sunken cleft between crags that overloomed the beach; and behind the fire, like tall, evilly posturing shadows, there stood the dark-clad figures of those who chanted.

Now memory returned to him of that which the galley's captain had said regarding Naat. The very sound of that chanting, albeit in an unknown tongue, seemed to suspend the heartward flowing of his veins, and to set the tomb's chillness in his marrow. And though he was little learned in such matters, the thought came to him that the words uttered were of sorcerous import and power.

Going forward, the woman bowed low before the chanters, like a slave. The men, who were three in number, continued their incantation without pausing. Gaunt as starved herons they were, and great of stature, with a common likeness; and their sunk eyes were visible only by red sparks reflected within them from the blaze. And their eyes, as they chanted, seemed to glare afar on the darkling sea and on things hidden by dusk and distance.

High leaped the fire, with a writhing of tongues like blue and green serpents coiling amid serpents of yellow. And the light flickered brightly on the face and breasts of that woman who had saved Yadar from the Black River; and he, beholding her closely, knew why she had stirred within him a dim remembrance: for she was none other than his lost love, Dalili!

Luis Royo, Dead Moon
Forgetting the presence of the dark chanters, he sprang forward to clasp his beloved, crying out her name in an agony of rapture. But she answered him not, and responded to his embrace only with a faint trembling. Mortally pale and languid were the lips that he kissed. In the wide, beautiful eyes that she turned to him, he found only a drowsy voidness, and such recognition as a sleeper gives when but half awakened, relapsing quickly into slumber thereafter.

'Art thou indeed Dalili?' he said. And she answered somnolently, in a toneless, indistinct voice: 'I am Dalili.'

To Yadar, baffled by mystery, forlorn and aching, it was as if she had spoken from a land farther away than all the weary leagues of his search for her. Fearing to understand the change that had come upon her, he said tenderly: 'Surely thou knowest me, for I am thy lover, the Prince Yadar, who has sought thee through half the kingdoms of earth, and has sailed afar for thy sake on the unshored sea.'

And she replied like one bemused by some heavy drug, as if echoing his words without true comprehension: 'Surely I know thee.' And to Yadar there was no comfort in her reply; and his concernment was not allayed by the parrotings with which she answered all his other loving speeches and queries.

Luis Royo, Dead Moon
He knew not that the three chanters had ceased their incantation; and, verily, he had forgotten their presence. But as he stood holding the girl closely, the men came toward him, and one of them clutched his arm. And the man hailed him by name and addressed him, though somewhat uncouthly, in a language spoken throughout many parts of Zothique, saying: 'We bid thee welcome to the Isle of Naat.'
Yadar, feeling a dread suspicion, interrogated the man fiercely: 'What manner of beings are ye? And why is Dalili here? And what have ye done to her?'

'I am Vacharn,' the man replied, 'and these others with me are my sons. We dwell in a house behind the crags, and are attended by the people that our sorcery has called from the sea. Among our servants is this girl, Dalili, together with the crew of that ship in which she sailed from Oroth. Like the vessel in which thou camest later, the ship was blown far asea and was taken by the Black River and wrecked finally on the reefs of Naat. My sons and I, chanting that powerful formula which requires no use of circle or pentacle, summoned ashore the company: even as we have now summoned the crew of that other vessel, from which thou wert saved by the swimmer, at our command.'

Vacharn ended, and stood peering into the dusk intently; and Yadar heard behind him a noise of slow footsteps coming upward across the shingle from the surf. Turning, he saw emerge from the livid twilight the old captain of that galley in which he had voyaged to Naat; and behind the captain were the sailors and oarsmen. Stiffly, like automatons, they made obeisance to Vacharn and his sons, acknowledging thus their thralldom to those who had called them. In their glassily staring eyes there was no recognition of Yadar, no awareness of outward things; and they spoke only in dull, rote-like recognition of certain obscure words addressed to them.

To Yadar, it was as if he too stood and moved in a dark, hollow, half-conscious dream, walking with the enchanters through a dim ravine that wound secretly toward the uplands of Naat. In his heart there was small joy at the finding of Dalili; and his love was companioned with a sick despair.

Saturday, September 28, 2013

first of two posts this weekend

Sometime on Sunday I plan to make a post about "Found MC" - a fascinating scene from semi-classic literature that I somehow never connected with MC before. Maybe you haven't, either, but I hope you'll enjoy.

It will take a little while to type up the whole scene, so in the meantime I'll share the Facebook page I've just begun. I'll be happy to accept friend requests from anyone who doesn't strike me as an out-and-out lunatic. I don't have much content yet except for a metric ass-ton of fetish art by Luis Royo, Hajime Sorayama, H.R. Giger, Boris Vallejo and others; but I think that will more than satisfy you. ;-) Have a look.

Wednesday, July 20, 2011

Luis Royo's ultimate BDSM fantasy

I've blogged about Luis Royo a couple of times already, and many of you already knew about him before you ever read my entries. He's a Spanish artist with a taste for fantasy, SF, and various kinds of kink.

At left is a dome commissioned by a Russian billionaire back in 2006, and below are details from some of my favorite panels. If you want to see the rest of the dome in closeup, just go here.

In my imagination, the various panels depict a harem kept by a powerful Mistress (Maybe she's the one on the pedestal at the center, tossing roses). Her most experienced slaves teach the newer ones the ways of pleasure, deepening their mindless obedience one orgasm at a time.

In one panel you can see Royo, his son, and the Russian billionaire peeking at the harem from behind a hedge. I like to imagine they're about to be ambushed by a company of mindwiped Amazons. I don't know what Mistress will do with them in the end, but they won't be in any condition to complain about it afterwards. ;P




Sunday, November 21, 2010

This is that: Sacrifice...or preparation?



What is it about splaying women on top of grave monuments or in other poses that suggest they're about to become (or already have become) victims of some ritual? Whatever it is, I find it hot as hell, and I hope you do too. Here are a few of my favorite examples of the phenomenon.

At left is a series of photos I found on Nick Santoso's gallery at Model Mayhem. Note not only the woman on the gravestone at the end, but also the woman just above her, who looks like a third bride who got edited out of Big Trouble in Little China. All she's missing are the white eyes.


Just below are shots from Natalie Lines, the Yerbury Studios website, and Nicholas Taylor.



Now here are images from Draconian Artworks, Luis Royo, and Nic Marchant.


Lastly, here's one from Matt Hoyle that makes me think the Sleeping Beauty story would make a damn fine EMC piece. Maybe one day....



***Unless otherwise attributed, all images above come from either Model Mayhem or Deviant Art.***

Thursday, October 7, 2010

These are a few of my favorite things: H.R. Giger, Part I of II

I'm a little late with this week's mid-week post because I've just been having so much fun collecting Giger pictures that I couldn't stop long enough to write about them.

I assume all - or at least most - of you are already familiar with German superfreak H.R. Giger, the concept artist behind Alien, an early aborted version of Dune, a number of Necronomicons, and a bunch of other creepy/sexy fetish paintings and sculptures scattered from one end of the Internet to the other. But just in case you're not familiar with him, or in case you just want to know more (and get a good laugh at the same time), allow me to point you toward this Cracked article.

I've been collecting Giger art for quite awhile but haven't thought of blogging about him - I guess because I kind of take him for granted. After all, he's as much apart of the cyber-fetish scene as Sorayama, isn't he? Fortunately, I stumbled across a few great Giger sites this week, and those led me to a few more sites; so before you know it, I was off on one of my typical OCD image chases. Results below.

For anyone who wants to follow in my footsteps, here are the best places I've found for high-quality Giger scans. This site has the biggest, clearest images, but it's a little limited in scope. This site has more images, but they're not always the best quality. This site has the most complete collection - and also features art by some other artists I've featured on my blog: Luis Royo, Boris Vallejo, and Julie Bell.

And now, on with the show. As the Cracked article so humorously points out, a hell of a lot of Giger art is about dicks. But a lot of it's about vulvas, too. The part that interests me most, though, is the intersection between human and cyborg, human and inhuman. To me, a lot of these images suggest seduction and/or mind control by supernatural or mechanical means. Those are the images that really push my buttons - and, I hope yours.



And now, unfortunately, I'm going to have to sign off for a little while and go to work. Blogger is misbehaving and refusing to upload the rest of the images I have planned, so I'll try again this evening or tomorrow morning. Stay tuned for the rest!

Sunday, September 26, 2010

These Are a Few of my Favorite Things: Supernatural Seduction

I've got a full goodie bag for you today, folks: photos, digitally manipulated images, and first-rate artwork, all depicting supernatural seducers and their prey.

Let's start with this fantastically creepy, evocative image from photographer Samuraj Grzes, one of my Model Mayhem finds (And speaking of that site, from now on I'm just going to use a generic blurb for MM images in these info-dump posts. It'll be a lot easier than pasting in all the individual links. Check the bottom of this post for the blurb).

Next up are an illustration from Luis Royo's Dead Moon (I have no idea what's going on here, but I like it!), a fairy reel by Frizzy Cube, and an I-don't-know-what-she-is-but-I'm-already-under-her-spell by Farhia.


Now here's a piece by Bethalynn Bajema, whom I profiled once before on this blog - and who requests that her work not be reposted without her permission, so please respect her wishes. Next is another painting by Luis Royo that's evocatively titled Kiss of the Fog, and finally a photo of V. Larsen by Porcelain Poet.


Below, left, is an image by MAD Designs that might make you wonder why I chose it for this post. Just click on the thumbnail image, then study the bottom half of the picture; you'll figure it out pretty quickly. This chick reminds me of a certain very scary character from Clive Barker's Weaveworld. Also on this row are a lovely ghost/vampire/zombie/who-knows-what by artist Arantza and an equally open-to-interpretation shot by Silversoul Photo.


Now here's Karenza modeling for Admirion, something-or-other cool from Imaginary Media, and an anonymous victim falling prey to Kirsty Mitchell's purple pollen trapdoor monster.


Finally, one more painting from Royo; a digital creation by Tiny Dragon Productions, and a Cthulhu-esque sorceress by Alice Duke, a.k.a. Melora.


***Unless otherwise noted (usually via link), all models, photographers, and digital artists in this post can be found on Model Mayhem.***

Wednesday, September 15, 2010

You don't mind another post about Luis Royo, do you?

I thought not. ;-)

Behold the goddess now gracing my desktop with her presence. Her name is Ama-no-uzume, and she's a Japanese deity of the dawn. I kind of doubt she wielded a sword in the traditional myths, but who am I to complain?

What with one thing and another, I spent a lot of time this past weekend looking for new Luis Royo art and better versions of the pieces I collected before. The site I called the Royo motherlode is still there, and I still recommend it highly. However, I found some even better sources on my second go-around.

This site, for instance, has the biggest, best scans of images from most of Royo's book collections. It doesn't cover all his books, though; you'll have to go back to the "motherlode" site for that. But while the motherlode only samples each book, this new site gives you every. single. freaking. image. from that book. Plus, it gives you the names of the pictures in most cases. That's how I learned that the lovely lady above was a goddess.


Here's another good site that samples most (but not all) of Royo's books; and this site and this site offer Royo wallpapers. The problem with the wallpapers, though, is that the folks who made them basically just took a cookie cutter to Royo's paintings, trimming away all the bits that didn't fit within the borders of a computer monitor. Comparing their "desktops" with Royo's original, squarer images is like comparing a movie that's been reformatted for a TV screen with the original you saw on the big screen. I don't recommend it, and you'd better believe that when I made my desktop image of Ama-no-uzume, I didn't take a cookie cutter to her. Nope, I made sidebars from washed-out copies of the clouds in the painting. It took a little longer, but IMO it was totally worth the effort.


The three images above are from Dead Moon, Royo's retelling of the Romeo and Juliet story with a change of setting and a few interestting twists. For instance, I really doubt Friar Lawrence would have a legitimate reason to get Juliet naked before giving her the sleeping potion. And if the scans were in the right order and the right-hand picture above is near the end of the book, then Dead Moon might possibly end with its lovers not dead. But that's just a guess; I haven't read the book. I am insanely curious about it, though.


Now, is it just me, or does the model in the left-hand picture above look like Apnea? And does the woman in the right-hand picture above look like Nicotine? And the belly-tattooed gal on the left just below Ama-no-uzume - does she look like Meluxine? I'm curious to know whom Royo uses as his models. One of the scans I saw showed Liv Tyler and Steven Tyler posing for this painting, so I know Royo uses celebrities from time to time. And I'm sure he must use professional models almost all the time, so anything is possible. I'm curious. If anyone knows where I can find out more about the real people behind these pictures, drop me a comment or an e-mail.