Saturday, July 16, 2011

Giving credit where credit is due

This is a post I've been meaning to make for awhile; I've just been distracted by other, more exciting topics. But it needs to be said, and now is as good a time as any.

These things are just matters of politeness:
  1. If you share a picture that you found somewhere else online, tell your readers where you found it.
  2. If it's a professional shot and you know who the photographer and/or model is, tell your readers that, too.
  3. If you have only incomplete information about a picture you found, tell you readers as much as you know.
  4. If you publish a story on the EMCSA and someone else helped you with it in any capacity (even proofreading), thank them by name at the start of your story.
I'm not thinking of any particular incident as I write this entry. It's more about an accumulation of annoyances over several years - annoyances about things done to other people and things done to me personally.

What it all boils down to is this: if you want credit for the things you do, then it only makes sense to give others credit for the things they do.

End of rant. I promise to give you something sexier next time around. ;)

Sunday, July 10, 2011

What it feels like

I haven't talked about my experiences with Virtual Hypnotist lately, but they're still going well. I continue to use one of the scripts I wrote for myself at bedtime every night, to help me get to sleep. By now, the background music (Men at Work's soporific "Down By the Sea") has become so ingrained in my subconscious that, if I don't have access to VH at bedtime, I can play the song in my head a few times and drop off pretty easily. VH is more fun, though. ;)

I thought you might like to hear how it feels for me, slipping off to sleep via hypnosis, so here we go.

When I first wrote the bedtime script, I was trying to put myself in a state of near-mindlessness; I thought that was the best way to still my thoughts enough to get to sleep. Well, I haven't managed mindlessness with my bedtime session (Oddly enough, I have managed it with my morning session...but that's a little too personal to go into ;)). But even though my thoughts still bounce around a lot during my bedtime session, I am becoming deeply hypnotized. I just don't realize it until the program ends with the command for me to get up and go to bed.

This is where things get cool. The script tells me that it will be easy for me to raise my arms, remove my earbuds, and get up; but it's not. I've become so relaxed by now that it feels like I'm deep underwater. My limbs are heavy, my movements slow, and performing more than one action at a time is more than I can handle.

I can't time myself, of course, but my guess is that it takes me about 15 seconds to get out of the chair.

Picture this. I'm in front of my computer with my chair tilted back and my feet up on a stool. My elbows rest at the point where the chair's arms connect to the back, and my hands are loose in my lap with my fingers lightly curled. "Now go," the program says. "Go to bed."

My arms draw outward until my hands are barely touching my body (To move them any further would just be too much work). Then slowly, oh so slowly, my hands move upwards, fingers grazing the sides of my torso and then the sides of my breasts. Now I move them inward, toward the "V" where the separate earbud cords join together and snake off toward the computer. At this point my hands have to rotate so my fingers are in a position to grasp the cords. Then my grip has to open a bit and my fingers feel their way upwards, looking for just the right spot to grasp the cords and tug.

But even after that, I'm not through. Now I have to lean forward and place the earbuds with their cords carefully on the computer desk. Otherwise, they might drag on the floor and the chair wheels could roll over them, potentially destroying them. Only after I'm sure the earbuds are safe can I get up from the chair, putting one foot on the floor at a time, and head off to bed.

After all of that, it's no wonder I feel sleepy enough to drop off right away.

*The image at the top of this post is by Kassandra Vizerskaya.

Thursday, July 7, 2011

More fun with nudity

Look what I found, barely an hour after my last post about half-naked men. This time they're fully naked, and they're for hire.

Be sure not to miss the final question!

Naked asses and frying chicken: who wins?

In a sense, we all do. ;) But I think the lady with the mostly-nude male harem took home the jackpot. ;P


COCKTAIL TIME! from EIT! on Vimeo.

Monday, July 4, 2011

Thanks to the silent ones

Cyan stories don't get much recognition from the EMCSA crowd, but I know people read them even if they don't comment on them. For instance, I haven't received much feedback on "How Did It Come To This?"; but Stat Counter shows me how many readers are clicking through to my blog from the story.

I don't have any personal information about my visitors, but the statistics are nice in their own way. They let me know people are out there, all around the world, enjoying what I have to say. That's a great feeling.

So let me return the favor. I don't post on every forum I visit, or e-mail every writer who floats my boat. I appreciate the privacy of lurking, and I appreciate the fact that you stopped by even if you didn't say anything. You might not have known it, but you made me smile.

Sunday, July 3, 2011

A Peek Beneath the Duct Tape: How Did It Come to This?

I hope I fooled some of you with the red herring in How Did It Come To This? - and I hope none of you dropped the story before you found out it was a red herring. If I ever wrote another vampire tale (and after collaborating so successfully with Jukebox* on The White Album, why should I?), it certainly wouldn't have a vamp as traditional as Jimmy would have been...if he'd been a vamp.

Admittedly, my first idea for a hockey-player-vs.-figure-skater story did involve a Nosferatu, but there's a reason the story didn't work out that way. I couldn't make it work out that way; it would have been too boring. I didn't get enthusiastic about the tale until I realized Jimmy didn't have to be a real vampire; he just had to seem like one. Then it occurred to me that the lyrics to "Time Is Running Out" would fit incredibly well with an EMC story, and I got really enthusiastic.

I don't know how many m/m fans are also Muse fans (though the "belldom" phenomenon would suggest some overlap ;)), so I won't go into much detail about the Muse-related Easter eggs in the story. If you're not a fan, you won't even notice them; and if you are a fan, you'll get a few extra laughs from the story. Here's a hint: Aside from TIRO and "Hysteria," I've referenced at least seven other Muse songs; and I've also given each of the band members his own hidden shout-out.

Not all the Easter eggs are Muse-related, though. Larry Szymanski isn't a fan of Stephen King, but I am, so there's a reason for the capitalized "It" in the fortune cookie scene. You'll get "It" if you've read It. ;)

Speaking of which, my first idea for Jimmy's fortune was a fortune I received myself: "Good sense travels on the well-worn paths; genius never." Eventually I worked this out to be a bad translation of something like, "Good sense always travels on well-worn paths, but genius never does." In other words, genius goes its own way.

That's Jimmy, I think. He succeeds even though he never takes the well-worn paths and never does the expected. In fact, he's so instinctive in his actions that he doesn't always realize what he's doing, himself. I wasn't sure about that at first, but in the end I realized he was just playing by ear and having fun. Of course, he never doubted he'd get Larry in the end. After all, he's not just a genius; he's a fae.

Good thing he's an iconoclast fae, though. Imagine what could have happened to Larry if Penelope had gotten hold of him!

*My collaboration with Jukebox was so successful that I think some of his influence carried over into this story. You can see it mostly in the humor and in Jimmy's banter.